The Musical Instrument Thread

What amp/s?
2 small baby Fenders; Mustang LT25 and one designed for acoustics.

Correction on that pedal- it’s LR Baggs, not LL Baggs. They made a series of 3 for acoustics, I have 1.
 
Was just about to post a thread about guitars...great to find this one.

I ordered this Suhr about two years ago and it's finally coming sometime next week from Eddie's Guitars in St. Louis. They are absolutely top notch.

Will post my two other main guitars likely tmrw - a blue Tele and a 335 clone.

Suhr 3 SOLD-3.jpg
 
Was just about to post a thread about guitars...great to find this one.

I ordered this Suhr about two years ago and it's finally coming sometime next week from Eddie's Guitars in St. Louis. They are absolutely top notch.

Will post my two other main guitars likely tmrw - a blue Tele and a 335 clone.

View attachment 9161
Suhr is top of the line. Love that quilted maple top (or is it spalted?). Ash body?

Congratulations man!
 
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Thanks RedWolf! It's quilted; with a swamp ash body. I'm super excited as you'd expect. :)

Here are my other two main guitars and an absolutely mission critical piece of kit for apartment dwellers like me...an attenuator!

335.jpg


AirBrake.jpg


Tele.jpg
 
As promised...

My late '90s Fender Japan Jazzmaster. Bought with my earnings from a summer job before going to uni. Totally unnecessary spend and didn't get on with it at first because the action was too high and I wouldn't pay for a setup :rolleyes:.

Years later I did, then fell in love with it. Eventually replaced the stock bridge and pickups for proper JM pickups from Seymour Duncan (these for same reason came with strat-style pickups in a JM casing).

20250124_205546.jpg
 
A more recent purchase, a PRS SE Paul's Guitar. Wanted something with different features to the Jazzmaster. Went shopping expecting to come home with a Tele Deluxe. Also tried a Reverend OG, entry level Gibson SG and a Custom 24. This one just ticked all the boxes.

20250124_205738.jpg
 
I'm still planning my two pedal boards. The power requirements are driving me nuts. I have it under control now but it took a while.
 
Finally the newest addition to the collection - a Fender Player P-bass. Saw it on special offer and couldn't resist:

View attachment 9331

I have a dear high school buddy who is a professional base player who has played with some major musical groups. He hasn't been here in more than a decade, but he would love this thread, right lowendmuscle?
 
Still re-learning this

 
I love Pete Cornish products but the delay in getting pedals drives me nuts. They're all hand made and hand balanced. They are very expensive but worth every dime. The buffer and line driver inside each pedal improves the overall tone on your board by a great margin. Kinda hard to explain

P2



G2






He's holding up my new pedal board build dammit! LOL!

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Came back to work on this - still really, really useful but man, the outfits, the hairy arms, the guitars, the vibe, the models...so late 1980s/early 90s...

 
Thanks RedWolf! It's quilted; with a swamp ash body. I'm super excited as you'd expect. :)

Here are my other two main guitars and an absolutely mission critical piece of kit for apartment dwellers like me...an attenuator!

View attachment 9165
The finish on the Suhr is amazing.

I notice at times during concerts guitarists jump from traditional styles to ones styled like your red one above.
The sound change is very noticeable. How is that change described in music terms? As you can tell I know little about guitars and hope this doesn't sound like to dumb of a question
 
The finish on the Suhr is amazing.

I notice at times during concerts guitarists jump from traditional styles to ones styled like your red one above.
The sound change is very noticeable. How is that change described in music terms? As you can tell I know little about guitars and hope this doesn't sound like to dumb of a question

In my opinion, every guitar is a paintbrush and amps/pedals are paints/colors. The differences between solid vs. semi-hollow bodies, types of wood for the body and neck, electronics/wire used, pickups, etc? They all impact the overall tone.

Also we have to consider playability. That is based on your hands/body etc. I call my guitars "my girlfriends" because each one has a different body, different sound/tone and how they sit on me when I play.

My #1. It looks like the ocean. You really can't see the details in the photo...there are also greens. Plays and sounds like butter. Single piece mahogany body, single piece 10 top maple, mahogany neck and rosewood fingerboard

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Thank you for your description RedWolf . Your #1 is beautiful, you all must have so much money invested.
 
The finish on the Suhr is amazing.

I notice at times during concerts guitarists jump from traditional styles to ones styled like your red one above.
The sound change is very noticeable. How is that change described in music terms? As you can tell I know little about guitars and hope this doesn't sound like to dumb of a question
Thanks man!!

IMHO the biggest factor in the way a guitar sounds is the player him/herself - all of the other things in similar (if slightly different) words to RedWolf, change the vibe/mood/style/attack but don't fundamentally change ability/sound/acuity/etc.

I'm not sure where you are on your guitar journey, but if you're interested in some of the ways that, for example, pedals affect tone, there's a great YouTube channel called JHS Pedals where he does great breakdowns of some of the science and playthrough of various types of pedals.

In some ways, it's incredibly nuanced and sophisticated. In other ways, a lot of the adjectives that people use to describe tone variation can feel like people commenting about "notes" in tasting various types of alcohol. There's for sure something there but there can feel like way too much pretense (or bullshit!) in the whole thing.

Same goes for amplifiers and guitars.

If you're in the market and looking to buy something, I'd go to a guitar store near you that's got good reviews and just play lots and lots of different guitars from different manufacturers and in different price points. If you have the time, make a day of it to find the "right" thing for you.

I happen to love the body style of the Fender Telecaster (and I like the way they sound too!) so that's where I spend 80-90% of my time - playing the ones I have. The hollowbody that I have is modelled after an iconic Gibson design - the ES-335. It's a beast and sounds great, but I don't find myself playing it that often.

Same goes for amplifiers. They definitely can sound different and there's a huge amount of rabbit holes to dive into between tube/valve amps and solid state and modeling amps and on and on. Honestly, find one that you like the sound of, that fits your needs (e.g., how loud do you need it, how often are you going to be moving it around, is a headphone jack helpful, is a built in attenuator helpful, etc., how much space do you have, etc.) at your price point after playing a bunch of them.

The great thing about new gear is that it can - but does not always - inspire new sounds/musical ideas. I've found that especially with some of the modulation pedals that can really have major effects on the way the guitar sounds and open up new things.

But it can be a red herring too and just sit in a box on a shelf as most of my pedals do right now. But maybe that won't be the case for you.

All really depends on what you're looking for out of the whole thing and how you want to spend your time and have fun. Ultimately that's the most important thing - is what you're doing bringing you joy. If so, you're on the right track! :)

Hope that helps even if it meandered a bit!
 

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